[simulator] I.
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ARTISTIC DEVELOPMENT
For individual orchestral performers, the residency supports:
– Development of established practices or new interpretative formats
– Historical and methodological articulation of artistic work
– Examination of embodied technique, attention, memory, and decision-making
– Specific feedback on sonic, formal, conceptual, and performative dimensions
– Experimentation with technologies, environments, roles, and modes of presentation
– Preparation for public performance or research presentation
– For sectional and collective practice, the residency supports:
– Analysis of orchestral methods and institutional histories
– Investigation of distributed agency, memory, hierarchy, and coordination
– Development of rehearsal and simulation procedures
– Critical examination of authority, responsibility, dependence, and interaction
– Refinement of sonic, spatial, technological, and temporal relations
– Preparation for public performance and documented presentation
For all participants, artistic development proceeds through sustained activity rather than isolated evaluation. The program values not only realized performances, but also the clarification of methods, revision of assumptions, acquisition of practical knowledge, and formation of durable artistic relations.
DATES
MENTORS
ARTISTIC PREMISE
CONCEPTUAL FRAMEWORK
WHO THE RESIDENCY IS FOR
PROGRAM STRUCTURE
MODES OF WORK
CENTRAL QUESTIONS
ARTISTIC DEVELOPMENT
ANTICIPATED OUTCOMES
INTERNATIONAL EXCHANGE
WHY PARTICIPATE?
APPLICATION
APPLICATION FORM AND
PARTICIPATION FEES
The [simulator] I. program is produced by .abeceda Institute
.abeceda [Institute for Research in Art, Critical Thought and Philosophy], a public-benefit NGO and non-profit organisation dedicated to advancing contemporary artistic practices and critical inquiry. Through its innovative programmes, .abeceda has gained international recognition as one of the leading platforms for contemporary music and artistic research in the Adriatic region and across Europe: www.abeceda.io